Australia Week :: Let us rejoice for we are music

Australia down underTo end Australia Week let us ask a question. Where would the world be without the music coming from Down Under? Consider the cultural impact made by these bands and artists: AC/DC, Midnight Oil, INXS, The Vines, Hoodoo Gurus, The Church, Natalie Imbruglia, Nick Cave, Counting Crows and so so many others. And don’t deny the guilty pleasures of The Bee Gees, Savage Garden and Air Supply. You know you sing along at the top of your lungs to “Making Love Out Of Nothing At All” when you’re alone in the car.

Australia’s most important export may be its culture. And in truth, wouldn’t the world be a better place if we all had a little Aussie in us?

For the finale of Australia Week let’s do a flashback to one of my all-time favourite bands from the Land of Oz, Men At Work. Can’t you hear the thunder?

– DMitch

 

A Message For You…

It ain’t Friday…but I figured there is no time like the present for a flashback.  From their 2008 appearance in Tokyo, Sting, Andy and Stuart rock it old school with one the all-time iconic tunes.  Such a cool version…

Check out this and other songs by The Police on [itunes link=”https://itunes.apple.com/us/album/message-in-a-bottle/id110871?uo=4″ title=”The Police on iTunes!” text=”iTunes “]!

-Drago

Happy Hour is Starting Early Today

Twas many a moon ago when a certain English gentleman, Marty I believe his name was, was here from the Great Isle visiting a friend of a friend.  I don’t think I had known him for more than (5) minutes before, naturally, I felt it my solemn duty to pester him until he told me the name of at least one band from the UK that no one was yet listening to here in the States.  After several not so veiled threats of violence he finally gave up a name.  “The Housemartins,” he said.  “The what Martins?” I replied.  This cat was setting me up for sure.  “The Housemartins,” he said again.  “It’s boppy English music played by nerdy white guys.”  Oh…this I just had to hear.

He lent me a cassette (I told you it was a while ago) and the first song I heard is featured above.  ‘Me and the Farmer’ was released as a single in August 1987 and then later released as part of what would be both their 2nd and final studio album The People Who Grinned Themselves to Death.  Quite honestly, while I dug this tune and another song from the same album called ‘Build’, the rest of the album didn’t thrill me.  It did however make me curious enough to procure a copy of their debut release entitled London 0 Hull 4.  I was (and still am) completely enamored with tracks like ‘Happy Hour’, ‘Flag Day’, ‘Sitting on a Fence’ and ‘Think for a Minute’.  The music was the furthest thing from complicated and yet seemed to sparkle with a certain brilliant simplicity that was quite intriguing.  What I struck me most, though, was that it was, and still is, instant sing-a-long music.  Take gander at the vid above and see if you don’t agree!

– Drago

 

Flashback :: NYC’s Urban Blight

It was a Saturday, many moons ago.  I remember sitting at home and, after counting all of the ceiling tiles in the family room, quickly determined that I was bored out of my skull.  It got the point where even hard labour was starting to sound appealing. Was anyone going to call?  Finally, there it was.  Ring…Ring. I was saved! With my feet barely touching the ground I sprinted into the kitchen and anxiously picked up the receiver.  To my chagrin, it was one of my college buddies from Baltimore, MD. “What are you doing?” he asked. “Nothing, I’m bored out of my mellon,” was my reply. “How’s that working out for you?” he chided.  “There better be an invitation coming jackass or I’m going to reach through the phone and rip out your larynx.” Thankfully (and luckily for him) there was indeed an invitation.   It was to join he and some other compadres at the 8×10 Club in Baltimore that evening to see a band from NYC called Urban Blight. Who?  Never heard of them…but heck anything was better than doing nothing.

What I remember most was that as soon as those cats hit the stage the air was suddenly electric.  It was like everyone knew what was coming.  The drummer set the tone immediately with a phat groove that became the foundation for  “Knock You Out” and I became insta-fan.  Loved it.  The mix of funk, ska and new jack swing was simply phenomenal and while “Love Bites” remains my absolute fav, the song featured in the video above, “Get Closer”, was a close 2nd.

Happy Friday my friends…now let’s get funky.

– Drago

autoKratz :: Becoming the Wraith

I feel like we’ve been on a bit of a New Order theme here in the last few months. Back in June we had a Joy Division flashback. Then two Friday’s ago we featured New Order’s “Blue Monday” for our Friday flashback. And then just last week we mentioned Andy Hawk’s cover of “Temptation” making use of the mandolin (which is awesome by the way).

autoKratz

Well, today we pay a bit of homage to New Order yet again. Peter Hook features in autoKratz‘s latest single “Becoming the Wraith”; and, the bass line melody contributed by Hooky is absolutely unmistakable. Combine that signature bass with the hookalicious chorus and you have a recipe for an electronica anthem. And for those of you better-versed electronica aficionados, check out the entire Becoming the Wraith EP. I’m sure you will more greatly appreciate the remixes, especially the Night and Day mixes by French producer Alex Gopher.

 

– DMitch