Sick Of It All? Try Going To Venus

Leaving Venus“Sick Of It All”, the title track from Leaving Venus’s most recent EP made me smile right from the get go. You know the moment in the movies when a fledgling band in the late 1950’s excitedly listens to their song on the radio for the first time… and then it quickly cuts mid-stream to them playing it live? Well yeah, that’s the exact vibe you get at the 30 second mark. And the style of music in this track fits the image as well… a rockabilly styled tune, simple chord changes, but catchy and lyrically clever. Then right at the 1:20 mark you get a refreshing 10 second change in tone that brings to mind something you’d hear from The Connells, maybe like from the “All Sinks In” track off of One Simple Word. In fact it’s a glimpse of what the other tracks on the EP are like.

 

I had a hard time choosing which other track from the EP to add to the broadcast. Ultimately I chose
“Comfortably”, mostly because it had me tapping my foot halfway through my first listen, and had me wanting to sing along by the second. I suppose that’s as good of a test as any. “Comfortably” probably also does the best job in showcasing Michael Miller’s mellifluous voice. Sometimes I do wish he’d do just a bit more vocally, but in this track it feels just right, well “comfortable” actually.

Leaving Venus – DMitch

 

The Train Keeps Rolling

“It’s Americana-ish!” is how Andy Hawk describes his latest studio effort with the Train Wreck Endings and if you’ve heard any of their previous work you’d find it hard to put them into one specific category or genre too.  This, my friends, is a talented group of musicians that effortlessly blends folk, blues and rock into their own special brand of truly American music.

In addition to a new set of original tunes, the soon to be released disc entitled Another Storyline also includes a rocking cover of New Order‘s “Temptation” that features a mandolin as a stand in for the synths….very nice. “Sunshine Street,” my favourite original track, starts with a punchy little bass line paired with the perfect drum cadence…add in some excellent vocal harmonies and, of course, more mandolin and you’ve got a cool little ditty.

Froglix greatly appreciates Andy and company for allowing us a “sneak peek” at Another Storyline and would be remiss if we didn’t do a little pimpin’on their behalf by promoting their upcoming CD release party.

  • When: Friday, November 11 @ 8pm
  • Where: Franklin Park Arts Center in Purcellville, VA.

Be sure to check out www.andyhawk.com for details, tickets, etc.

– Drago


Everything is Better Fried

artist: Fried Goat | genre: americana, folk, rock | label: Outhouse Vinyl
Check ’em out on [itunes link=”http://itunes.apple.com/us/album/henry/id424883293?uo=4″ title=”Bon Appetit on iTunes”]

listen now:
Maybe Today    Bulgarian Rhapsody

Froglix welcomes Georgia’s Fried Goat to the broadcast with a few select cuts off their latest album. Bon Appetit is a feast of southern inspired flava that mixes healthy portions of americana, folk and southern rock with a dash of  blues and a pinch of country twang thrown in for good measure.  “Maybe Today” starts off a little Neil Young-esque…but only for a second, I promise.  As soon as the hook kicks in with “Maybe today the clouds will fade away” it’s accompanied by a subtle harmony that makes it all Fried Goat.  The jump to double time for the guitar solo was nice juxtaposition and really makes the wailing sound of the guitar stand out quite nicely.   “Misery is Optional” and “Henry” are notable tracks as well and further capture the essence of the band’s core sound.  However, the most interesting track was “Bulgarian Rhapsody.” This particular song is a complete departure from the rest of the album but as the “what were they thinking” moment passed,  I really came to appreciate this particular tune.  I have no idea what they lyrics are but they sound good and fit nicely with the edgy bulgarian folk thang these cats are throwing down.  The performance is solid and their crisp sound resonates with a warm sense of reality that is completely genuine.

If your ears have a hankering from some southern type comfort food this summer…get yourself some Fried Goat!

– Drago

Jump Back :: The Week In Review

This week we broke out with The Chain Gang of 1974…and I just now got Thurdeen’s reference in the title. How sad is that?  I am sharp! Regardless, “Matter of Time” is a great tune and definitely worth a listen from their MySpace page.  DMitch pimped some of OT-musicboy’s new tuneage…and…uh…I have to agree, that cat plays some good music but that name…arg.  We then followed up with a video from San Antonio indie rockers Ledaswan which is just a prelude to a full review due out next week.  Finally, (3) tracks from HUB brought yours truly to the stunning realization that there are some good singer-songwriters out there!

Next week…more from Ledaswan, King Cotton and much more!  Until then…peace!

-Drago

Sing Music Boy, Sing

OT-musicboyartist: OT-musicboy
album: Jump Over (a fence of electric sound)
genre: Indie Rock
label: unsigned

listen now:
Not A Song :: Did You Tell Your Mother
You Knew :: Dance (with the musicboy)

buy now: [itunes link=”http://itunes.apple.com/us/artist/ot-musicboy/id403425750?uo=4″ title=”OT – Musicboy”]

Why do I feel like OT-musicboy is a guilty pleasure? Maybe it’s because I didn’t think I was going to like him. I certainly don’t get his name. I also think the album title, Jump Over (a fence of electric sound), sounds just a tad cheesy. He could also probably make use of a better photographer. Fair or not, first impressions set expectations. But damn it, after the first few guitar plucks starting “Not A Song” I knew I couldn’t just dismiss him. And damn it again, the first verse’s lyrics were pure poetry. And his voice is just solid. And not to sound too cliché, but the tone of his voice is just “believable”. By the time it hit the chorus I was all in.

Petros Kozis is OT-musicboy. Austrian born, Greek raised, and clearly, musically speaking, American influenced. On every track he is guitar(s), bass, and vox. And this album is chock full of really good tracks. “You Knew” does a brilliant job of slowly building right up to the chorus where it somehow makes sense that you’re singing the namesake of the song along with him. “Did You Tell Your Mother” drips in the blues. Hearing it makes me think I’m hearing Tom Jones singing a tragedy. Finally, “Dance (with the musicboy)” is just downright unabashed dance-fastic fun.

Moral of the story: don’t judge a book by its cover. Oh, and everyone is allowed a few guilty pleasures.

– DMitch