Categories
ambient Attack Ships On Fire Auresia Blair Lott Band Diversifyd electro hardcore Killer Godzilla Kirsten DeHaan podcasts reggae Ripe Fruit Music ska The Sky Life Tieweb unsigned Variety Workshop Weather Pending

Just In Time for the Weekend – OuterSound

OuterSound podcast
Yes indeedy! After a brief (and quite productive) hiatus Froglix is back with a brand new installment of OuterSound. Experience true indie music at it’s finest! In this episode we are featuring tracks (in order of appearance) from The Skylife (Vancouver, CAN), Blair Lott Band (Atlanta, GA), Killer Godzilla (Newcastle, GBR), Diversifyd (San Marcos, CA), Variety Workshop (Tampa, FL), Weather Pending (San Francisco, CA), Tieweb (Arlington, VA), Auresia (Montreal, CAN), Kirsten DeHaan (Woodstock, NY) and Attack Ships on Fire (Portland, OR).

OuterSound – March 2010

Categories
acoustic featured artists folk Kirsten DeHaan reviews rock SirLady Records

Double Down on Kirsten DeHaan

genre: folk | rock
label: SirLady Records
Kirsten DeHaan
With her commanding yet earthy/folk voice, strong melodies and gift for writing incredibly honest lyrics you can’t help but like Kirsten DeHaan.  What’s even better is that all of the aforementioned elements come together perfectly on her latest album entitled Thorns On a Crown. “I’m Coming Home is a prime example of all of DeHaan’s strengths on display. The intro starts with a delicate guitar solo, plucking each audible note all the while preparing the listener for what’s coming next…potent lyrics delivered so candidly that you can actually feel her heart ache as your own personal angst percolates to the surface along with it. “Double or Nothing” is an upbeat tune that will have you tapping your foot for the whole ride and by the second chorus you’ll find yourself singing along. For sure it’s pop, but DeHaan’s voice and guitar make it the perfect antidote to the formulaic dross sung by pre-packaged female artists that is currently being offered by the “mainstream” music industry these days.  After listening to the other tracks on the album it’s apparent that everything one may have discerned about about DeHaan culminates with 1984″. Her voice (reminiscent of Stevie Nicks), guitar, bass and drums all blend beautifully together to create a compelling folk/rock sound.
Take a listen and let us know what you think.
Double or Nothing
1984
The Night Shift

– DMitch