Australian indie rockers doing covers…of the Wiggles!?!?  Yup.  Rewiggled (ABC Music) is a compilation project that showcases (20) indie artists from Down Under remaking their favourite Wiggles tunes.  The video above features Oh Mercy‘s rendition of ‘Toot Toot Chugga Chugga Big Red Car’…and I swear I’m not making that up.  Say what you want about the Wiggles (they are only the top children’s musical act of all time) but I happen to think it’s quite cool what these cats are doing.  Hopefully this is just a prelude to a full album review as we anxiously await our opportunity to hear this rather courageous compilation in its entirety.  Although I’m not certain we are truly ready for it!

- Drago

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artist: goodbyemotel | genre: modern rock, alternative | label: nicebike records

goodbyemotel“Red Room” is track #1 from indie rockers goodbymotel’s latest EP Wish Your Way and features the lovely Francesca Vuillemin, a fashion model who, like the band, also hails from Australia.  As the story goes, she and the band’s bassist were hanging out one night in New York drinking coffee and decided on a lark to shoot a video. Just them…no crew, no pomp, no circumstance…just (2) creative people and (1) camera.  Eat your heart out Spielberg.

Enough about the vid as you can partake of it yourself and formulate your own opinion.  As for the song though, it’s de-lovely as is the EP as a whole.  “Red Room” and “Burning Since Sunday” share the same type of gritty guitar intro that is undeniably indie while “Remember” kicks off with a bit of an eclectic bass line that is quite interesting.  Intros aside, all (3) of these tracks showcase the bands energetic style and love of intertwining vocal harmonies and melodies. However, the title track is much more of a low-key, ballad-esque type of tune that surprises the listener with a well placed falsetto that would turn even Coldplay green with envy.

After listening to the aforementioned EP about 20 times, I wouldn’t be surprised if goodbyemotel and/or Wish Your Way  end up winning a Froggy this year…but there still quite a bit left yet to 2011 so we shall see.

***BTW – the band is offering up the EP as a free download so visit their site and get it!

- Drago

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It’s no secret that ever since our inception your friends at Froglix have been quite enamored by the music from Down Under.  Black Knight, San Cisco, Abbe May, Sarah McLeod, The Brisbane Project, etc. have most certainly captured our attention and our ear, for that matter.  This new wave of indie and alternative artists are very talented but not more so the pioneers from the Land of Oz who blazed the trail before them.  It is here that we direct our attention for this week’s Flashback.   Back in the 80s/early 9os it was Hoodoo Gurus, or the Gurus as they are commonly referred to by their fans, who took the college radio scene quite literally by storm.  They dominated.  Not just in their homeland of Australia, but here in the States as well.  By successfully combining the edginess, attitude and excitement of punk with the melodic elements of pop, they created something unique…their own sound.  The combination of Dave Faulkner’s eclectic vocal style, inventive lyrics and exciting melody lines couple with Brad Shepherd’s guitar work elevated the Gurus above a number of other bands in their space vying for air time.

Narrowing it down to one (1) track from this band for Flashback was indeed challenging.  We could have selected any number of their songs from any one of their albums.  Take your pick.  It’s all good.  So, why then did we choose “Miss Freelove ’69″ from their album Kinky? Honestly?  Of all of their videos, this one seemed to best capture their personality as a band.  That’s it.  That’s my reason.  Now, if you’ll excuse me, it’s time to get my Guru on.

- Drago

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artist: I Heart Hiroshima | genre: alternative, power pop |
label: Valve Records |

Last month yours truly wrote a little snippet about the Sounds Like Brisbane project which is, in essence, a compilation website that promotes indie music from artists Down Under. It was there that we were introduced to a digital single entitled “Washed Up” by a lil 3-piece from Brisbane called I Heart Hiroshima.  Having been so impressed with the the band we had to learn more about them.  First and foremost, they are Susie Patten (vocals, drums &  percussion), Matthew Somers (lead vocals & lead guitar) and Cameron Hawes (rhythm guitar, keyboards, backing vocals) and since 2006 they have amassed a discography that currently numbers a half dozen studio releases that are mixture of EPs and singles as well as their 2009 full album release entiled The Rip. The latter of which features a track entitled “Shakeytown” (video above) which is 3+ minutes of alternative/indie power-pop bliss. 

- Drago

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artist: Abbe May | genre: alternative, rock | label: unsigned

Some may consider Aussie siren Abbe May’s musical style to be somewhat of an acquired taste.  Okay. I’ll grant you that but, personally, I dig her.  There’s just something very PJ Harvey/Jemina Pearl about her that I find to be quite alluring.  To quote Garth from Wayne’s World, “She makes me feel kinda funny…like when we used to climb the ropes in gym class.”

If you have already hit the play button on the video above  you have already surmised that the aforementioned is for a track entitled “Design Desire.” This latest single is also a forerunner to her next album which is due to drop this summer.  If you haven’t hit play…please do so now.  I’ll be right here when you get back.

Was it good for you?  Ok…let’s keep it moving.  There were a few things that jumped out at me about this particular song/video. The guitar work was gritty, it was raw and it was muddy. Loved it. Abbe’s haunting lyrics and amorous energy were quite stellar as well. The mirror effects…eh…not so much.  At first they were interesting, cool even. Then came the queasiness, a sensation I last remember experiencing while watching the Blair Witch Project back in the day. Then there’s dude with the swimmer’s cap from hell and a cow skull draped around his neck dancing around in hot pants. Again with the queasiness.  The white Ford Mustang barreling across the desert, however, was money!

– Drago

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Ever since our inception, Froglix has been mightily impressed by the quality of independent music emanating from the land Down Under and the city of Brisbane, in particular, has the very real potential of becoming the next big thing in music.  What?  Brisbane? Drago, surely you jest.  Nay my friends, nay.  Don’t believe me?  Then check out the latest digital sampler from Sounds Like Brisbane.  This incredible collaboration compiles tracks from (18) different artists and their respective labels to create one mega Australian indie collective.  Genres include everything from jazz, to hip hop (that’s right Australian hip hop), country, alt-rock and…well…you get the picture. It’s a smattering of just about everything and here is the best part. You can download all (18) songs at once or listen to them one by one and download your favs…all for free!  Just go to www.soundslikebrisbane.com and have at it!

There are a number of stand out performances but some of my personal favs include “Blue Blood” (DZ Deathrays), “Her Song” (The Medics), “These are a Few of My Favourite Flings” (The Good Ship), “Washed Up” (I Heart Hiroshima) and “Taxes” (Undead Apes).

Aside from the music, what I find most intriguing about the SLB project is that it’s genesis sprung from the labels themselves. Stephen Green from SGC New Media Marketing explains. “There were a few meetings and some of the labels were already helping each other out, so they thought they’d get together and make it official and start the SLB website. They figured that there’s so much good stuff going on that it made sense to pool their fans and let everyone sample what everyone else is doing.” It’s a brilliant idea but will it work?  Oh, I’d say so.  If memory serves me, I believe Dischord Records in DC made quite splash by unifying the DC punk scene, paving the way for a number influential bands back in the 80′s.  Then in the the 90s, it was bands like Pearl Jam, Mudhoney, Soundgarden and the like working together and supporting each other that set the stage not only for the “Seattle Sound” but entire grunge genre.  Given that track record, I’d say that the labels tying into the SLB know exactly what they are doing and we at Froglix applaud them for pushing the indie envelope and doing their part to get more great music out of the shadows and onto the world’s stage.

- Drago

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