The consummate  forerunners of folk-punk, Violent Femmes began with the formation of their rhythm section consisting of Brian Ritchie on bass and Victor DeLorenzo on percussion.  Gordon Gano (singer/guitarist) would join later, completing the trio that would eventually be discovered by the Pretenders who, back in 1981, were playing the Oriental Theatre in the Femmes home town of Milwaukee, WS.

As the story goes, the Femmes were playing out on the street (which they did a lot)  in front of the theater and were invited by Chrissy Hynde to play an acoustic set after the opening band.  They did just that and the rest is history.  Soon after they recorded their break through, debut album that included songs that would clearly define the bands early years, ‘Blister in the Sun’, ‘Add it Up’, ‘Kiss Off’ and ‘Gone Daddy Gone’.    Almost  ten (10) years and one brief break up later, they released their album 3 which produced what would be their next hit, albeit a minor, ‘American Music’ featured in the video above.

The Femmes enjoyed quite a long run on the alternative music scene but, alas, all things must come to an end and for them the end was 2009.  After disputes over song rights and a desire to pursue other musical interests, Gano announced that they were done as band.   However, for this week, Flashback celebrates the simplistic genius that was and is the Violent Femmes.

- Drago

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artist: The Kut | genre: alternative, indie, rock | label: Criminal Records

Straight from our friends at Criminal Records, Froglix is stoked to present for your viewing and listening pleasure “Closure” from Britain’s The Kut.  Cool song, cool video, cool band…and I would suspect some cool chics to hang out with.

- Drago

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Dig it? Get in on

Flashback highlights one of the greatest, if not the greatest, progressive rock bands of all time.  Rush formed in Toronto, Canada back in 1968 and are still going strong today.  Although the band got it’s official start back in ’68 it recognizes 1974 it’s official starting point as that was the year that drummer extraordinaire Neil Peart joined the band…just (2) weeks before their first tour of America.  Since their inception, Rush has always been on the cutting edge of progressive rock invoking an eclectic mix of genres, instrumentation and influences in their compositions creating a sound that is near impossible to duplicate or copy.  Neil along with Geddy Lee and Alex Lifeson are true originals through and through.

‘Working Man’ was released as part of Rush’s self-titled debut album back in ’74 and remains a classic today.  For all the doubters out there who might think that rockin’ for 30+ years has taken it’s toll on this band…think again.  The video above shot just a couple of years ago is proof positive that these cats have not lost a step.

- Drago

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The Joy Formidable on

Take a load off with a The Joy Formidable’s most recent single called “A Heavy Abacus” which will be included as part of their forthcoming EP to entitled Roarities.   The way cool live version featured above was recorded at live at the legendar KOKO in Camden, London.

Guess what…still love this band.  Why?  Becasue they rock and because they have a method to their alt-rock madness…record, tour, repeat.  Their day is coming…it’s just a matter of time.

- Drago

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The past seven (7) days have been absolutely crazy and while there has been no time to write I could not, in could conscience, allow the sun to set on the week without the Flashback.

froglix flashback

The alt-rock explosion that emanated from across the Big Pond back in the day was spearheaded by a number of different bands with just as many different sounds.  We could debate the merits of the Liverpool versus the London versus the Manchester sound until we were blue in the face.  We might even find ourselves coming to blows like a couple of rowdy Hooligans at a soccer match but in the end the only thing that would be accomplished would be…well…nothing.  So let’s elevate things to the country level then, shall we?  It is my contention that if we are talking the UK here, and we are, the top (4) alternative band from the ’80s would be, in my humble but accurate opinion, Big Country (Scotland), U2 (Ireland), The Clash (England) and the band feature above…The Alarm from Wales–North Wales to be exact.

From their humble beginnings in 1977 as a punk band called The Toilets (good gracious, what were they thinking) to an opening act for U2 and, eventually, a headlining band, Mike Peters, Dave Sharp, Eddie MacDonald and Nigel Twist drew inspiration from their Welsh culture and channeled it into their music.  Wrought with raw emotion, The Alarm’s big sound (and hair for that matter) cemented their place at the table and while the original band has been broken up for some time now, it’s hard to argue their impact on alternative music.

“Rain in the Summertime” was released in 1987 on Eye of the Hurricane (IRS Records) and also featured a couple of other Alarm classics, namely “Rescue Me” and “One Step Closer to Home.” Three (3) great songs on what would be a very strong follow up to 1984′s Declaration and 1985′s Strength.  For ten (10) years these cats poured it on with classic after classic…“Sold Me Down a River”, “Love Don’t Come Easy”, “Blaze of Glory” and the timeless anthem “68 Guns.”

It was all going so well until Peters announced he was leaving the band during a performance at Brixton Academy.  The crowd was stunned and his bandmates shocked.  What was he thinking?  I’m sure I don’t know but what I do know this; “I love to feel the rain in the summer time…”

- Drago

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artist: SIMPL3JACK | genre: punk | label: Holy War Entertainment

 

Dig it…new vid from S3K!  BTW…this is not a cover a Silver Chair’s “Tomorrow” so if that’s what you were exepecting we are more than happy to disappoint. These cats are not only onto something…they are on the rise fo sho.

- Drago

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